In theory, it is just a set of picture adjustments which should be easy enough to add. However, Panasonic has said that if they were to do that it would take away the THX picture modes in last years model due to how these things work and memory available. So, while it might be possible, I don't know of any manufacturer planning on adding this to older sets.Can this mode be aded on older tv series....2019...2018?...
I would like to have it on q90r because i miss ISF from my ex B7....Theoretically it could be, but it doesn't look like any manufacturers are planning to add it to older TVs. I wouldn't worry, there's no Filmmaker Mode or Dolby Vision IQ on my C9 and I certainly won't miss either feature.
Tnx,i already removed from movie mode all that extra processing wich i can remove.In theory, it is just a set of picture adjustments which should be easy enough to add. However, Panasonic has said that if they were to do that it would take away the THX picture modes in last years model due to how these things work and memory available. So, while it might be possible, I don't know of any manufacturer planning on adding this to older sets.
However, just put your TV in the cinema/THX/movie/True Cinema picture modes that are the closest to the standards, then switch off the frame interpolation, noise reduction and sharpening features and you have Filmmaker Mode.
The main idea is to give users across all TV brands a recognisable picture setting that is named the same and switches everything off with one button press.
In the case of standard dynamic range (SDR) content that means a white point which corresponds to D65, a colour gamut that matches Rec.2020 and a peak brightness of 100nits.
In order to retain that film-like motion a movie must be displayed at 24 or 48 frames a second. In the case of the latter, each frame is repeated to reduce judder, and this is actually how films are protected at the cinema.
I should have used you to proof the copy!You mean rec.709, not rec.2020.
1) Each film frame being shown twice is intended to reduce flicker, not judder. Reducing judder would require interpolated frames. 2) Most TVs use a sample-and-hold approach which means that displaying a film at 48Hz with simple frame doubling is physically identical to showing it at 24. 3) This approach is only used in cinemas where the projectors still actually run 35mm film through them; hardly any cinemas still use physical film any more. The movies are digital downloads and the projectors are DLP or some other form of pixel-based digital display. 4) You mean "projected" not "protected".
I'm really not sure what you're trying to say, there.
All I was trying to point out is that there's a difference between repeating the same frame which shouldn't change the perceived motion and adding interpolated frames which smooth out the motion causing it to look less like film and more like video. Seems pretty obvious to me.You mean rec.709, not rec.2020.
1) Each film frame being shown twice is intended to reduce flicker, not judder. Reducing judder would require interpolated frames. 2) Most TVs use a sample-and-hold approach which means that displaying a film at 48Hz with simple frame doubling is physically identical to showing it at 24. 3) This approach is only used in cinemas where the projectors still actually run 35mm film through them; hardly any cinemas still use physical film any more. The movies are digital downloads and the projectors are DLP or some other form of pixel-based digital display. 4) You mean "projected" not "protected".
I'm really not sure what you're trying to say, there.
I just don’t see the general public caring about this or using it
Joe bloggs will carry on as they do today blissfully unaware of how a picture should look.
The TV will still arrive set to eco with a picture from hell and most people will just ignore 90% of the settings.
Stuff like this is for the enthusiastic weirdos (like me) who care about watching a film how it should be and the truth is that most people don’t care !
You only need to look at how many people are still buying DVD over Blu Ray and how many people don’t see the point in upgrading to a 4K player
or how many people think they are watching 4K on their new TV when it’s just 720p upscaled etc .
it’s more techy now than Joe blogs gives a crap about. My wife for example only tells me she doesn’t care if we watch Netflix on Sky or ATV4k ,the upgrade from 1080p to 4K Dolby vision goes right over her head so why would she care if it’s in film maker mode
And where is the incentive for the TV company to put money into this? It’s not going to be a selling point if essentially the mode looks the same across vendors? So why plumb a load of cash into it
Great idea - Won’t work ... IMO
Can't wait for non-OLED high nit loving crowd to say Why does this mode look so dull when they switch to this mode lol