The Wedding Ringer....

Bristol Pete

Prominent Member
Had a particular remit for this wedding.

Reportage for the first half and then lights and soft brollies for the portrait session after the meal. No problem, a decent shoot but it was a very very hot day Saturday and even 5.6, ISO 400 was nearing 1/8000th so managing the light was of upmost importance. The lights were two 600's on portable light stands via soft tranny brollies, triggered by an sb800. Strobist to the max !

On the portrait shoot, had to make the best if what was available as I do not work with a white studio train and used curtains at the hotel to make a backdrop as the tones whilst not ideal matched the wedding colours. I dont shoot weddings generally as it is not my thing and I always under charge the people involved due to benevolence and wanting to give them the best I can. I charged 3 x £100 per hour here and easily gave up 7 hours + PP but hey ho, such is life. It is so hard to put the camera down and even at 11.30pm I was still snapping away with 1/15th rear curtain on the dance floor.....

All I wanted to do in the day was flip the room in which the reception was held as the back/rim light whilst nice would have been better the other way. Anyway, not revolutionary just nice solid wedding snaps.

One thing to note is that I shoot with D3's and for the first time, the weight got to me, so would have preferred 2 x 700's or 2 x 5D II's here with some nice fast glass. I thought my hand was going to fall off on Saturday evening ! Obvious that I was going to write this, but credit to Guy and my mate Joseph who do this week in, week out. Give me a freezing cold touchline anywhere in the world and anyone who calls this fools gold or easy money needs a tweak on the nose.

My next wedding is August 09, so a nice break, unless I pick up the odd bit here and there. Plenty of colour in the selection of images to go to the 'customer', especially the evening as this conveys the movement at the disco. Anyway, over and out blah blah blah.

Edit * please note that 4 and 7 are about the available light. 4 shows the glass in celebration, 7 shows the hands via rim light and the distance between the young couple at a wedding. On another forum some turkey asked why not use flash. Hence why I post less and less.......!!!!!!!

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denno75uk

Prominent Member
Needless to say, quality throughout. The portraits especially as I'm assuming some people may have not felt their best a few hours in on a hot day.
The pic of the two big fellas is effing marvellous, as are the ones of the bridesmaids (BW and colour) as you seem to have had a decent rapport with them and they've obv engaged with you with very nice results.
 

Bristol Pete

Prominent Member
Needless to say, quality throughout. The portraits especially as I'm assuming some people may have not felt their best a few hours in on a hot day.
The pic of the two big fellas is effing marvellous, as are the ones of the bridesmaids (BW and colour) as you seem to have had a decent rapport with them and they've obv engaged with you with very nice results.

Thanks. The bride and groom are totally solid people who have been married before, so they were adamant no cheese and were both a little cautious about life lines, hence the use of the brollies. Of course a defuse glow can help but I aint got photoshop CS3 on the mac.....

I just tried to do what they wanted. Also, yep, it was hot and i was sweating bullets and trying to keep going.
 

Tobers

Prominent Member
Your street portrait experience really comes through on this set. Your eye for observation of angles and scenes works well.

#7 is THE SHOT for me from a photography perspective. It looks like something out of Magnum, with multiple levels of composition & light, and is a really good off-topic type of shot that the average photographer would not even be looking for.

The rest are cool - nice work on the depth of field there on the candids. The posed ones would look better with the background further away & a bit more blurred, but hey you do the best with what you've got.

And I think you undercharged big time!
 

T0MAT01

Prominent Member
The black and white Bridesmaides shots are stunning Pete. Seriously good stuff.

I also like number 4. I don't know why someone would recommend you use a flash for that one as IMO it would have ruined the lighting completely. Nice capture. Can I ask how you metered for that one? I'd guess spot metering, but just wondering whether there's some other tricks of the trade that you use?

And I agree with Andy about the undercharging!!
 
V

vulkan75

Guest
Great set pete....Ive never done a wedding ...I can imagine it being challenging.

Ive been asked to do one for my wifes uncle...I said yes aslong as they dont expect the world:rolleyes::D.

Any tips??

1 AND 7 are my favs here
 

Bristol Pete

Prominent Member
Cheers all.

Vulkan, I think just go there and shoot how you shoot, manage the light and take three of every portrait. It is amazing how many blinkers you come across at a wedding, though good photoshop skill can help. I think two or three bodies would be ideal. Onewith a nice wide zoom, one with a nice fast 85mm prime and one with something like a 70-200 for the sniper work.

Pete.
 

Bristol Pete

Prominent Member
Your street portrait experience really comes through on this set. Your eye for observation of angles and scenes works well.

#7 is THE SHOT for me from a photography perspective. It looks like something out of Magnum, with multiple levels of composition & light, and is a really good off-topic type of shot that the average photographer would not even be looking for.

The rest are cool - nice work on the depth of field there on the candids. The posed ones would look better with the background further away & a bit more blurred, but hey you do the best with what you've got.

And I think you undercharged big time!

Cheers Andy.

re- the background, I concur - the trouble is that you cant shoot everything at 1.4 or 1.8 and being a wedding photographer means that you have to reign in some creativity for the sake of the shot. Example at no.3 - this was 5.6 but would not have worked at 1.4 as the girl on the left would be too shallow.

You can however max out the bokeh portraits later in the day or use it to kid the customer with nice circular bokeh as we all know this looks lovely.

It was an interesting experience.
 

Radiohead

Prominent Member
Very, very good. Nos 5 and 7 stand out for me, and they're very much of your style.

Top work. You could charge £1200-1500 per day for this quality with no trouble.
 

Ian_S

Distinguished Member
Obvious that I was going to write this, but credit to Guy and my mate Joseph who do this week in, week out. Give me a freezing cold touchline anywhere in the world and anyone who calls this fools gold or easy money needs a tweak on the nose.
For those that do a good job, then I would agree. It's the cowboys out there with a digital SLR who effectively rip people off for what are very mediocre photos who see it as easy money, and I'd like to see them out of work.

Your shots look great to me, and convey the look of a relaxed enjoyable wedding. Having done one myself (never again!) I can appreciate how nerve wracking the whole thing is. I had totally the wrong kit for mine, but then I did it for free and the happy couple liked the photos, so it wasn't all bad.
 

bodoman

Distinguished Member
Lovely set of relaxed photographs, just what the B & G ordered by the looks of them.
Cant comment on any of the technical side of things as i dont have much of a clue about that side of things, i just like, am indifferent or dont like photographs, i like them all but the one that has the most impact on me is the colour one of the group all pulling faces, i just like happy photographs and this one is right up my street, love it:thumbsup:
 

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