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Give it up for Gotham!
Be warned … a great many BIG spoilers lurk in this comprehensive review. So read no further if you haven’t seen the film yet.
My love/hate relationship with the music of Hans Zimmer gets a massive boost in the love department with his delivery of the pulverising and euphoric score for The Dark Knight Rises. Broadening the themes and motifs that we have heard in the first two instalments in Christopher Nolan’s exemplary trilogy of Batman’s crime-fighting crusade, as imagined for current socio-political/economic/cultural climates, this becomes one of the most savage and energised scores that we’ve had in quite a while. It doesn’t deviate from the composer’s well-worn path in the slightest, but it complements the movie, its tones, its characters, its action and its sense of might, nobility and majesty. Admittedly, it doesn’t stray outside Zimmer’s...
Read the full review...
Be warned … a great many BIG spoilers lurk in this comprehensive review. So read no further if you haven’t seen the film yet.
My love/hate relationship with the music of Hans Zimmer gets a massive boost in the love department with his delivery of the pulverising and euphoric score for The Dark Knight Rises. Broadening the themes and motifs that we have heard in the first two instalments in Christopher Nolan’s exemplary trilogy of Batman’s crime-fighting crusade, as imagined for current socio-political/economic/cultural climates, this becomes one of the most savage and energised scores that we’ve had in quite a while. It doesn’t deviate from the composer’s well-worn path in the slightest, but it complements the movie, its tones, its characters, its action and its sense of might, nobility and majesty. Admittedly, it doesn’t stray outside Zimmer’s...
Read the full review...