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This is Thunderdome. Death is listening. And will take the first man that screams. The most ancient sounding, primitive, driven and determinedly percussive scores that I have ever heard are Alex North's foreboding and dissonant Dragonslayer, Basil Poledouris' magnificent Conan The Barbarian, and this Maurice Jarre epic, versatile, exciting, exotic and anvil-grinding slammin&jammin; super symphonic apocalypse for Mad Max Beyond Thunderdome. That sure is a mouthful of accolades, but it deserves every single one. After Australian composer Brian May created fabulous and quite distinctive scores for the first two Mad Max movies, it came as something of a surprise to find that he wouldn't be along for this third and most grandiose ride. The biggest surprise, however, was the job of providing musical voice to Max Rockatansky's third odyssey in...
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