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“Science is not good or bad, Victor, but it can be used both ways. That is why you must be careful.”
After the slapdash tonal tomfoolery of Dark Shadows and the soulless adaptation of Alice in Wonderland, gothic-maestro Tim Burton returns to his roots and finds the perfect ooky-kooky groove with which to re-establish his macabre mojo as one of the premier creative and imaginative forces at work in Hollywood with this expanded take on his notorious original debut short, Frankenweenie.
Having toiled away endless hours in the rat-run of the House of Mouse, endeavouring to provide Disney with talking animals and cutesy-wutesy characters with cloyingly strong moral fibre, the young Burton grew restless and sought to escape the confines of family formula. Although teased by the malevolence of The Black Cauldron (which he worked on), he didn’t listen to the resounding clunk!...
Read the full review...
After the slapdash tonal tomfoolery of Dark Shadows and the soulless adaptation of Alice in Wonderland, gothic-maestro Tim Burton returns to his roots and finds the perfect ooky-kooky groove with which to re-establish his macabre mojo as one of the premier creative and imaginative forces at work in Hollywood with this expanded take on his notorious original debut short, Frankenweenie.
Having toiled away endless hours in the rat-run of the House of Mouse, endeavouring to provide Disney with talking animals and cutesy-wutesy characters with cloyingly strong moral fibre, the young Burton grew restless and sought to escape the confines of family formula. Although teased by the malevolence of The Black Cauldron (which he worked on), he didn’t listen to the resounding clunk!...
Read the full review...