Calibrating is an addiction!
I wish a chip for auto calibrating was a standard.
I think I would have saved about half of last year and not ****** off my mates and gf so much. The other half was spent on getting 3d ready to work with laptop.
Depends if you're calibrating or 'fiddling about with the settings every five minutes'.

Having said that you can get a bit obsessed with getting perfect calibration charts and forget to watch the films...Once it's set then you should be able to leave it well alone and just enjoy as that's the whole point of calibration: The display is set to match (usually) rec709 as closely as it's controls allow, then away you go. No tweaking around with settings for different films/content, which is where a lot of new owners fall down (and upset their OHs too

). If it's calibrated you already know that it's set up as best as possible and any issues then are down to poor transfers (ie raised black levels and other issues) as per Keith's thread about better sources or better PJs.
FWIW to the OP calibrating a HD350 (or HD1 if that's what you have) will probably greatly improve the gamma response which tends to drop over time. Sometimes giving a high gamma at the low end (makes shadow detail too hard to see and general lack of contrast in dark scenes) and a low gamma further up makes the image look washed out/flat.
When done if you flick between pre calibration with the above gamma and post calibration with nice flat 2.2/2.3 gamma you'd think it was a different PJ. Even though you can't do anything with the over saturated colours, getting the greyscale and gamma spot on makes a noticeable difference. Just wait until your PJ has at least 100 hours on it first though.
