bit of a mix, some eye level - some held down lower. I want to react to situations quickly without worrying about focus too much, narrow aperture allows me lots of wiggle room. 'Everything in focus' is also growing on meIs there a particular reason you're shooting at F11 for these Dan, are you shooting from the hip or something?
Not a rule no, just something that often works better.Hi Dan, I've been a long time admirer of your work, but I'm not big on posting comments!
Number 11 looks great to my eye, but I can't help thinking it would look great in colour with the rich colours of a food shop window, maybe you have it in colour on your Flickr account I should look.
I see most street work is in B&W is that a rule?
Jim, I don't know whether i'm being marmite - or whether I'm failingLOL - but of course when referring to less than 4 contiguous shots at the start or end of a large set it's obviously unnecessary to bother with any fiddly numbers