damenace said:
Hmm. The REL is downfire too, isn't it?
Normally all downfire subs would be set to around 90° as you are then in phase with the front-fire speakers you have.
Sorry mate, that's not right.
The phase effectively delays or advances the audio signal to ensure that the two waveforms, from your speakers and sub, arrive at the same time at your ears. This only affects the crossover region where both are reproducing the same signal concurrently. It is distance related and is there to adjust for when a sub is positioned at a different distance to you from the main speakers at it's simplest.
It helps if you think of a sound wave as an expanding sphere of air emanating from the driver equally in all directions. As it's bass we're interested in this is practically true. Whether the driver is turned through 90deg or not, the sound emanates from the same point at the same time - there's no change in the phase. If you have two sources of the same sound, with one further away, its phase will be behind that of the source in front - they're out of phase. If a forward firing sub is placed next to a speaker with the baffles level. Phase should theoretically be 0deg. If a downfiring sub was placed in the same position with the centre of it's baffle level with the speakers, it would still be at 0deg.
The phase is simply adjusted to where sounds in the crossover regions sound loudest, ie, there is the least cancellation. At 80Hz the wave length is 4.12m. for my sub to require 90deg of phase adjustment it would have to be 1.03m infront of the main speakers.Speed of sound (330m/sec) divided by frequency (80Hz)= wavelength (4.12m). 90deg = 1/4 cycle so 4.12m divided by 4 = 1.03m. If it were 1.03m behind, it would need 270deg advance of phase adjustment.
In my room the speakers are 4m away. If the sub was placed anywhere around me, even behind, as long as the distance was 4m, phase would still be 0deg. In reality, it's 1/4 of the way up my room against the left wall which places it about 0.6m closer. Phase is 15deg.
In practice, variables such as processing delays, crossover phase within the speakers and the refections of sound within the room itself can all have an effect on where the phase suits best. With an SPL meter and a CD of test tones and a bit of graph paper, try measuring the tones from say 60 to 100Hz adjusting the phase between each sweep. Wherever the highest overall volumes are, or the least dips, that's where your phase wants to be.
Sorry if that's a bit long winded (do I know another way?

), but phase has very little to do with the orientation of the subs driver.
Nimby (God bless all who sail in him) will be along soon to poke holes in my maths, but I think we'll agree on principle. If not I'm about to learn something too.
Russell