Colours as mentioned before desaturated to a large degree and this only adds to the isolation as the troupe is trekking through the Eastern European woodlands. The nature of these colours also adds to the haunted tone of the film. The colours stay within their borders well showing no signs of bleed. Contrast has been better with some of the darker scenes exhibiting some crush although it's certainly not the worst I have seen, there is more than adequate shadow detail to enhance those often gloomier moments of the film.
The transfer is acceptable for DVD, if a little soft at times, but there's no noise nor blocking. There is some minor enhancement on display with the mercenaries against brighter sky backgrounds. The film exhibits a noticeable amount of grain in some scenes.
Blacks are adequately handled but obviously do not appear as inky as the modern counterparts on BluRay. At the other end of the contrast scale whites are pretty much pristine in nature with little blooming on show. The colour palette is narrow indeed with earthy browns and greens the order of the day once our heroes are in the forest and in the old bunker. Detail in the bunker is more than acceptable for an SD release with good definition on the machine deep in the bunker's bowels and even on the scared faces of the dead Nazis.
There's excellent panning from the fronts as trucks move in and out of the frame, or background chatter from people is captured and floats from one speaker out wider as they disappear from view. Ambiance is well catered for with excellent weather, i.e. rain effects from the surrounds or the whisp of slight gunfire in the distance of this war torn environment. When the action kicks in though the surrounds really do open up the whole stage somewhat, with ricochets travelling from one speaker to the next.
Like the stereo track the dialogue is well handled from all of the accents on show, although at times hushed it's never indistinguishable, you'll never be straining to hear what's being said. The associated score comes across very well indeed adding depth to the frontal stage, and at times this score goes deep indeed kicking in your sub. LFE use is again on good show when the Nazi's machine is activated bringing back to life these long lost souls.
- Filmmaker's Commentary.
Kieran Parker and Steve Barker kick this track off discussing the locations in Dumfriesshire and the time they were shooting in mid January. Obviously financing and money constraints are mentioned and how they had to make the best of everything they found. Again because of budget constraints if a certain scene was unable to be shot then it was removed from the script, but even so this still comes across as a cohesive venture. It's a good natured track and both have a good sense of humour realising that they did only have tuppence ha'penny to work with but still very proud of what they have produced, and so they should be.
- Behind The Scenes. - 0:37:18
6 mini featurettes thankfully with a play all function. There's some good information in here with Arabella Croft and Kieran Parker initially discussing the financing they had to put together and the stories they worked on before they finally decided on what eventually became Outpost. The cast have their input as does the production designer Max Berman who did an incredible job with the limited budget he had access to. The director Steve Barker has a lot to say, relating his love of films from his childhood and how he wanted to try and reproduce some of those feelings in this his premier feature.
- Deleted Scenes.- 0:12:24
Eight deleted scenes in total including an alternative opening, some more wood scenes and an alternative ending. Each can be played individually or en masse and all have an optional director's commentary. The commentary is interesting enough indicating the reasons why these scenes were dropped from the main feature and in all honesty you have to agree with what Steve Barker says. What hit the floor here generally deserves to be there, these individual scenes don't really add anything to the ongoing storyline.
As the name suggests.
For what is ultimately a budget release these days there's still good set of informative extras here for any film fan to take note of, especially those who at some point wish to venture down the same trail. Of them all I enjoyed the too small mini featurette on the production design and what can be done on such a small amount of cash. You imagine large sound stages with expansive sets, and although the sets in Outpost look and more importantly feel the part these were constructed in an old Govan Town Hall; that brought a smile to my face.
I was so glad to get the final disc in my hands, I loved the film when I saw it a few months ago and I still do. The upgraded video and audio coupled with a good set of extras makes this a disc I can recommend adding to your collection. It's always good to see up an coming film-makers attempt a stab at their dreams. Arabella Croft and Kieran Parker risked all for their dreams and it seems to have paid off. Initially releasing to a wide US market seems to have worked with Sony now stepping in to provide the backing for a cinema release here in the UK.
It's the story in Outpost that keeps you glued to the screen, it has a cracking pace with some wonderful acting. As an aside in the earlier review, and most reviews out there these Nazis are referred to incorrectly as Zombies; they're actually haunted, physical spirits. Either way it's not everyday that you see a low budget tick all of the boxes and this one certainly does.
I have always enjoyed a good low budget flick and this is the best I have seen in a long while, give these people some money and it's interesting to see what they could come up with. An excellent initial feature, wisely cast, diligently budgeted and superb location and set design; the end result is atmospheric, spooky and certainly a damn good watch.
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