Journey to the Centre of the Earth is co-produced by star Brendon Fraser, and is loosely based around Jules Verne's novel of the same name. Failed scientist Trevor Anderson (Fraser) has been teaching Earth Science at the local University, on a program that his brother Max set up. Max had placed geographic monitoring equipment at several key places around the globe, but never returned from his trip. Trevor is doing his best to keep things running in his absence.
Max had a son, Sean (Josh Hutcherson) - a thirteen year old who has never really got to know his Uncle. Of course, at the start of the film, Sean is dropped off by his mother in order to spend some “quality time” with his uncle. Sean brings with him a box of his father's possession, and amongst the detritus of a life, lies a copy of the titular novel. When they open the book, they discover it is heavily annotated, and that the earth monitors that Max erected are placed in key locations from the book. This leads them on a quest to Iceland, where they meet scientist Hannah (Anita Briem) who agrees to take them up a mountain to examine one of Max's devices.
Once up there, though, they get caught in a violent electrical storm and take refuge in an abandoned mine. When a rockfall traps them, they decide to find a way out, but only succeed in finding their way to the very center of the earth. When they realise that everything that they are seeing is in the book, they also understand that people have been here before, and escaped......
Reading those last few paragraphs back to myself, this really does sound like the most clichéd movie plot summary that you can imagine - and yes, the film certainly is. It does nothing that hasn't been seen a million times before, and takes no risk - never straying from formula. It is also one of the most intense action films that I have seen in a long time. It is absolutely relentless, and once they hit the mountain about twenty minutes in, the action just never stops. By all rational yardsticks, this film should be awful.
Yet, it isn't. It is a thoroughly enjoyable, rip-roaring 90 minutes of entertainment. The first reason for this is the actors. Fraser has this kind of action hero down to a tee - fit and athletic, but slightly goofy and prone to mistakes. The character he portrays here is a slightly different version of Rick O'Connell. But he plays this kind of role so well that it just seems to fit the film like a glove. He also seems to have a real empathy with Josh Hutcherson who plays Sean. This young actor is a revelation in his role, bringing a real sense of growth to his character. Without spoiling the plot too much, there is a surprisingly moving key scene about half way through the movie, and the two actors combine to really get the audience feeling the emotion.
Whilst Fraser shows empathy with Hutcherson, he also shows real chemistry with Anita Briem. Briem is an Icelandic actress, and she manages to prevent this film becoming the Brendon Fraser show, sparking off him all the way through, showing tenderness and action credentials when she is required. This acting triumvirate really go a long way to pulling the film above its pulpy roots.
Much has also been made of the bad special effects as seen in the trailer, but in the film itself, the effects are generally excellent. True, there are some shockingly bad bits (Fraser being chased by a T Rex is one such moment) but the environments that they find themselves in are really eerie and otherworldly. I am imagining that the environments created must be entirely CGI, but if so they are some of the most effective CGI I have yet seen, trumping 300 in places. The underground sea that they have to cross is a creation so realistic that you feel that you can dive in, and the tree house set (I am trying not to spoiler) is also an amazing creation.
Another saving grace for the film is its refusal to take itself too seriously. There is a great gag with Fraser hanging on the end of the rope after an abseil goes wrong, and a knowing line running through the script with the two leads counting just how many times each saves the other. First time movie director Eric Brevig (he did direct one episode of Xena, Warrior Princess) comes from an ILM visual effects background, and could quite easily have let the effects take over the picture, but he always shows an assured touch with character, knowing when to let the effects take a back seat to performance.
It has to be said that Journey to the Center of the Earth is not a classic of movie making, and has some flaws in the special effects. But at the end of the day, it has no pretensions at being anything other than a good old fashioned family blockbuster film - and in this it succeeds. It may well get swallowed up amongst the other films busting blocks this summer, but it deserves to find an audience as it is far better than you may imagine.
3D is the latest in cinema's attempt to claw back an audience who can now get state of the art digital entertainment at home. The first major new release in the format was Beowulf last year - a film that proved an entertaining showcase for the format. Journey to the Center of the Earth, however, takes the format a step further.
When firing on all cylinders, the 3d effect achieved here is light years ahead of Zemickis' offering. I am not sure whether it is because Journey uses live action rather than CGI, but the sense of depth in certain scenes is simply breathtaking. I am ashamed to admit, as a near 40 year old male, that I actually found myself ducking and weaving on several occasions, to the amusement of my companion. I just couldn't help it. Notable scenes that show this effect off are the climbing of the mountain near the beginning of the film (just check out the sense of depth engendered), and the scene where they fall into the deep plunge pool as they enter the Center of the Earth itself. The 3D effect is generally consistent throughout the film, although the picture does seem noticeably flat in certain sequences, specifically the T Rex chase of Trevor.
One thing I noticed in Beowulf and I noticed again here, is the fact that the human characters seem somewhat smaller than they do in a conventional film. I do not know why this is, but I have noticed it in Imax 3D presentations so I am guessing that it is a limitation of the format. Another problem I noticed with both films was the lack of colour depth, and this was present again here. The whole palette seems strangely muted, and even when there is opportunity for the use of bright colour (the shots outside Trevor's apartment, for example) it is not grasped.
The print, as one would expect from a digitally projected source, is absolutely pristine, free of artefacts, sharp and clear.
From the very beginning, the audience is enveloped in a fully immersive sound field. From the early external scenes in Iceland, with the thunder and rain coming from all directions, to the climactic scene as our heroe's career down a mountain, all speakers are used to great effect. The pleasing thing about this sound mix is that it does not veer too far towards bombast, and indeed has some wonderfully subtle moments too. Towards the end, our young hero is trying to cross some rocks suspended in mid air by a magnetic field. The sound of the rocks clunking together and echoing of the cavernous walls of the cave he is in is beautifully captured.
Unfortunately, the sub does not get as much attention paid to it as the other speakers - and bass is a bit lacking in certain areas where you might expect to hear it (our old friend the T Rex is an example of this). Again this could be down to the cinema I saw it in, but this was definitely something I noticed.
Finally, the whole balance of the mix is excellent. Not once did I need to stretch to hear what the actors were saying, and the score was also well mixed and clear.Journey to the Center of the Earth is not a modern classic of film-making. It does not do anything startling new or original, and it does not pretend to. What we have here is the kind of film they do not make any more. A rip roaring, non stop adventure which is likely to thrill the whole family. A film which does not take itself too seriously, and which offers three likeable leads who have a great chemistry together.
If you are lucky enough to see it in 3D then it is likely to impress you more than if you see a standard print, but as long as you remember to check your brain in at the door and don't expect too much then there is much fun to be had on this particular journey.
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