Well to say I was sceptical of the InFocus X10 and its claims of high performance for very little money would be an understatement. We all want to see quality and value for money, but many will realise that in the world of front projection it’s usually always the case that you get what you pay for. That is certainly the case with many of our best buy award winning projectors reviewed recently and to expect above average performance for under £1800, is usually asking for trouble in the picture and performance stakes. It is an expensive world for manufacturers to build a truly exceptional product that meets all the requirements of both the consumer and custom installer markets. What InFocus have in their favour is that they do produce some of the most popular and technically advanced DLP machines on the market. So can their experience in the mid to high end market help them put together a single chip DLP that can perform at this price level?
Well the X10 is not a small unit when unpacked. Like much of their In8x range the chassis has a large footprint (W 476mm x H 148mm x D 432mm) with the lens to the left hand side of the front plate (when looking directly at the projector). When lifting the unit out of the box it does feel a little light at approximately 6.5kg and the case is definitely made from plastic! You can forget remote zoom or focus at this price point as well, instead there are two round dials hidden behind a removable flap on the left side of the body to help you zoom and focus in a matter of minutes. The actual throw distance of the X10 is also longer than any other budget machine on the market, so in our reference room, we could only manage a 6ft image from around 14ft of throw. The lens shift is also fixed (although there is compromised digital shift control, which can help in really awkward mounting positions) its not as central as you would expect, with a table mount position much lower than normal. This is certainly a throw back to the custom installation background of the companies other projectors, where ceiling mounting will be the norm. So to get the best from the X10 you will need a long room to achieve larger images and either a low table or ceiling mount.
The source connections are situated to the rear of the unit, and in another throw back to the custom installation market, they are hidden behind a removable flap. When ceiling mounted this does go a long way to hiding the cabling. In terms of connections you get one normal HDMI v1.3a and a second M1-DA input (with adaptor included for HDMI v1.3a), 1 x component, s-video and composite inputs, Also included are 12V triggers and a serial port.
Looking at the spec sheet you can see that the X10 employs the Texas instruments dark chip 1 chip set. As many projector enthusiasts will know, the current guise used in most of the higher end DLP models is DC4, so you may begin to wonder if this is the main reason for such a cheap price, and how it may affect the picture performance. However you may want to wait for our picture performance results later in the review before jumping any guns in this regard.
In a world of boasting about contrast ratios it is quite refreshing to see a manufacturer appear to be conservative when it comes to their claimed figures, with the X10 reported to achieve 2500:1 native, and as you will see in the calibration area, that’s not far from the truth. The claimed 1,200 ANSI lumen figure also appears to be quite accurate and you can’t call this projector dim.
Moving on to the menu system and everything appears to be in place, along with some functions only found on more expensive models. The picture control area includes all the standard settings along with multiple gamma selection, colour temperature (Gain and offset controls for greyscale), colour gamut, colour space as well as memory saves for each input including an ISF memory bank. There are aspect controls (sadly no anamorphic stretch) as well as sharpness modes and features for brilliant colour.
So far I’m impressed with the features available on the X10 so lets move on and see what the out of the box and calibrated performance is like.
Calibrated Obviously once properly calibrated to get as accurate as possible (greens still suffer slightly – but only if you really look for them) the picture does improve again. Indeed with my calibrated settings I had to remind myself a few times that this is a £1000 projector – and a full HD one at that. Using our tried and tested SD copy of Gladiator (Chapter 15) the first thing to strike you is the solid black performance with excellent shadow details. Now the blacks are not inky like those found on our reference models, such as the JVC HD1, but they are better than some of the recent LCD machines, such as the HC4900 we have tested lately. The intra scene contrast is very good and allows accurate shadow details to come to the foe and adds a nice cinematic depth of field usual seen on DLP models. Images are crisp and sharp with plenty of fine detail on show and colours for the most part appear vibrant and noise free.
Moving on to Blu-ray and the tried and tested Pirates discs again impressed me with plenty of depth and fine detail. Colours again look ok with flesh tones looking slightly pale against what you might expect, but overall I couldn’t fault image quality when taking into consideration the price point we are talking about. With the iris almost fully closed the blacks looked rich again but without clipping or killing our shadow details and never once did they appear grey in any way. This was probably the most impressive point of the X10, but remember it takes quite a lot of calibrating away from the factory defaults to see this machine at its best.
For the rest of the review process I sat back and watched a number of well known DVDs and BDs and never once did I think I couldn’t live with this budget machine. As with all projection technology there are high and low points with each flavour ,and indeed, between individual machines. I am quite susceptible to the rainbow effect some times seen in single chip DLP units and in the bright and garish factory defaults I did see quite a bit of this effect. However once calibrated the effect certainly dissipated and I only noticed it every now and again, certainly not enough to put me off watching this machine, or even owning it. However each individual is different so I would recommend that you demo the unit before purchase.
As you can see the X10 is lacking in the green primaries which is under saturated compared to the rec709 HD standard. This is down to the UHP lamp and the lack of a yellow notch filter. UHP lamps are cost effective and offer a long life in many domestic and business projectors, but the draw back to these are low spectral energy in the red and yellow bands. This is fine in a business projector where high brightness is required, but in home cinema models there is usually the inclusion of a yellow notch filter that increases the separation of red and green enabling the unit to provide a wider gamut that matches the standards measured. By adding the filter into the optics it does reduce overall brightness but not by a huge amount. I would imagine that the lack of filter on the X10 is down to cost and the price point the company are aiming at. We will see what effect if any this has on the final image later in the review.
In out of the box guise, even with the colour temperature control selecting 6500k, the measured greyscale was out with blue about 15% over and Red 10% below and the white point hitting around 9800k. There are controls for white balance to get the greyscale correct so that’s what we started with to see how well the unit tracks. There is however no CMS (Colour management system) for the RGBCYM points, but perhaps that is mute as there is no way you can gain green if it doesn’t exist in the first place on our initial measurements.
Looking at the results below you can see that we were able to get the greyscale to track from 20ire to 100ire with delta E figures of below 2 all the way through. This is an excellent result and shows that the greyscale tracking is spot on, you will also notice that some of our colour points have also improved slightly.
|Colour temperature before||Colour temperature after|
|RGB levels before||RGB levels after|
|Gamma curve before||Gamma curve after|
Other controls available to us to further enhance the performance are an iris control which doesn’t affect the calibrated results, but will improve the black level at the sacrifice of some brightness output overall. I found in our review room which is completely light controlled, that I managed to get the iris almost fully off to improve the black level immensely without affecting the white point when re-measured. The use of the iris will depend on your viewing environment and what brightness levels you are hoping to achieve.
And what about the contrast ratio figures, well in calibrated mode in our room we managed to measure a native contrast of 1450:1 and ANSI contrast of 400:1 with the Iris in the almost closed position. Again these real world figures at this price point are very impressive indeed. Obviously with out of the box settings and the iris fully open you will achieve higher figures, but at the sacrifice of good quality images and blacks.
Video processing Video processing is as important today as it has ever been, so can a cut price model handle various sources and tests thrown at it? Well yes and then more. The processing of 576i material was very impressive with no obvious signs of image artefacts and HD looked super clean and noise free. Movement was also very well produced with no noticeable signs of smearing or banding and colour gradations looked smooth and block free. Indeed all the tests thrown at the X10 where either perfect or just slightly off, with nothing that would worry me in any way when using the projector for critical viewing.
- Great value for money
- Good features list with white balance controls and ISF memories
- Good film image detail and Good black level with solid screen uniformity.
- Above average Video Processing
- Easy to use menu system and good build quality
- Not the prettiest machine out there
- Long throw
- Slightly compromised colour gamut due to lack of yellow notch filter
InFocus X10 Full HD 1080 DLP Projector Review
Well what can I say? It may be awkward to position right and have a long throw. It may miss out on some features, and the colour performance could be slightly better – BUT – in every other department, including black levels, this projector defies its £1000 price tag. I have been truly amazed at the performance levels, picture processing, shadow detail, depth of field and a full HD pixel count.
There are some small issues, such the lack of a full colour gamut, the unit noise is around 33db and can be heard from 3 feet away and it is a big unit with a long throw. However what we have to remember is that no matter what projector you go for, there will be compromises to be made, and that is the nature of the beast when you get into front projection.
What InFocus have done here is put the cat well and truly amongst the pigeons. You just can’t buy anything that comes close to the X10 for any less than £1800. The fact that it can be found online for even less than the suggested £1099 retail just reinforces the point more! The X10 changes the rules when it comes to what you can buy for a grand, and in our opinion, at this moment in time; this is a best buy product!
Contrast/Dynamic Range/Black levels
2D Picture Quality
Ease Of Use
Value For Money
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