No expense was spared in developing this new product and the result was the RS20i, the most versatile, customisable and feature-rich audio processor currently available in the high-end consumer space. The RS20i uses Datasat's professional cinema processor as the starting point and then packages it in an elegant chassis designed by the Neal Feay Company. Datasat then added Dolby processing, a feature that's missing from the AP20 for obvious reasons, as well as memory profile settings, stackable multiple EQs, Dirac Live's remarkable room optimisation software and extensive automation controls. The RS20i currently includes four HDMI inputs and one HDMI output, along with up to 16 channels of digital or analogue output, but its modular design allows for easy expansion or upgrade and there's a USB port on the front for firmware updates. The result of Datasat's efforts is a product that could potentially be the Holy Grail for AV enthusiasts - one that truly delivers cinema sound in the home. Let's see if the RS20i lives up to both that promise and its illustrious heritage.
Design and Connectivity
At the sides of the RS20i there are grilles for the cooling fans and it's here that we should point out the processor's only real weakness - it's noisy. Of course the chances are that the RS20i will be part of a professional installation and, as such, will be in a separate equipment room but if you're thinking of using it near your seating position, you need to be aware of the fan noise. The RS20i uses eight Analog Devices 400MHz DSPs and Burr-Brown PCM4104 DACs, supporting up to 85 digital and analog inputs as well as 34 audio outputs. This number of outputs allows the RS20i to accommodate all surround sound formats currently available – including true 3D sound. In addition, three expansion slots at the rear allow for the easy addition of extra channels and features in the future.
Also at the rear is a set of connections that reflect Datasat's audiophile ambitions and their professional pedigree, with inputs for no less than 8 analogue and 16 digital channels and outputs for up to 16 channels of digital and analogue audio. To save space the RS20i uses balanced DB25 connectors but there are also digital inputs ( two optical and one coaxial) and two pairs of analogue stereo inputs with RCA connectors. There are four HDMI inputs and one HDMI output - all version 1.4a - which allows the RS20i to pass video, including 3D, completely untouched. The RS20i is clearly aimed at the professional installer and as such it includes RS232 connectors for serial control and servicing, 12v triggers, an Ethernet port and a bi-directional GPIO (general purpose input/output) connection. There is also an XLR connector for a calibrated microphone when performing a basic setup using the integrated RTA, a Monitor Out and Hearing Impaired Audio Out, both using RCA connectors. Finally there is a three pronged connector for the power cable, an access panel for the fuse and a power switch.
Dirac Live Room Optimisation
The RS20i is the only home cinema audio solution to feature Dirac Live room optimisation technology. This software is the result of years of research into digital sound optimisation and room correction. Rooms, amplifiers and loudspeakers inevitably distort the sound both in the frequency domain and in the time domain. By digitally optimising the audio signal prior to sending the signal to the amplifiers and by measuring the output from each speaker of the audio system such that it is perfectly adjusted to the acoustical behavior of the listening environment, a much more transparent and true-to-the-source sound can be delivered. Dirac Live is a state-of-the-art digital room correction technology which optimises the sound both in terms of the impulse response as well as the stationary frequency response. The result should be a substantially improved musical staging, clarity, voice intelligibility, and a deeper and tighter bass, not just in a small sweet spot but in the entire listening environment.
By digitally optimising the output from each speaker of the audio system such that it is adjusted to the acoustical behaviour of the listening environment, voice intelligibility is improved and music becomes clearer. Acoustic room modes distort the character of the bass and loudspeakers continue to ring even after a bass punch has been delivered due to mechanical restrictions. Dirac Live effectively prepares the loudspeaker for the sound that is coming and reduces the settling time of the loudspeaker, thereby achieving a tighter, deeper and more defined low end. Dirac Live also restores the sound stage so that the localisation of sound events become much more detailed. Time-domain distortions, caused by diffraction, cross-overs, and early reflections, make it difficult for our brains to interpret the sound. A smooth frequency response and an aligned phase response make the sound more natural and prevent listening fatigue during prolonged listening sessions. The phase response correction and magnitude response optimisation of Dirac Live, is designed to reduce fatigue and make listening more pleasurable.
Dirac Live provides impulse response correction over larger listening areas, which is critical for multichannel and stereo perception. Localization and stereo listening, in general, depend on the similarity between and the quality of the channel impulse responses. Dirac Live improves the precision and the clarity of the audio imaging using proprietary technology that takes the stationary frequency response correction and looks at the variations between different measurement positions and carefully makes a correction based on spatial variations. Dirac’s mixed-phase filter technology also helps because loudspeakers measured in rooms are mixed-phase and consequently only a mixed-phase correction can restore the intended impulse response.
The result of this acoustic transparency was that there were no distractions and the sound designer's art was allowed to shine through. The room optimisation was only part of the story, of course, but there is no doubt that the equalisation resulted in all the speakers perfectly matching each other tonally. We were actually quite impressed at how similar all four surround speakers were when measured but the software easily fine tuned any minor differences in their responses. The audio performance was totally engrossing, with the RS20i perfectly steering sound effects and utilising the power of the RA7300 to its full extent. The result was a truly remarkable combination of detail, control and dynamic range, which made the overall sound totally immersive. Musical scores had a wonderfully expansive front soundstage, whilst dialogue remained perfectly clear and effects precisely localised, with seamless pans around the soundfield. The bass management was exceptional and when the low frequency effects kicked in, the impact was almost overwhelming at times.
Since it was the first DTS cinema release, it seemed appropriate to start with our Blu-ray of Jurassic Park and the RS20i didn't disappoint. The T-Rex attack was as powerful as ever but the refined bass management made for a true sonic assault. From the rain hitting the car windows to the initial bass thuds that accompany the ripples in the glass of water to the full-on roar of the T-Rex itself, the RS20i was a masterclass in control and precision. All the sounds, from the music to the dialogue to the effects were perfectly rendered and the entire scene benefited from the soundfield filling the room. The processor took full advantage of the power on offer from the RA7300, resulting in a breathtaking level of dynamic range. This effective use of dynamic range was perfectly demonstrated in the soundtrack to Oblivion, which is in itself a superb piece of acoustic design. This was superbly replicated by the RS20i, from the tiniest flicker of a candle over a quiet dinner scene to the utter sonic bombardment of a nuclear explosion, the processor didn't put a foot wrong.
It was this ability to combine detail, control, bass and dynamic range that makes the RS20i so impressive and film after film the processor showed that it could deliver the goods in spades. We tried different audio codecs, including DTS-HD Master Audio, Dolby TrueHD and LPCM, along with 2-channel, 5-channel and 7-channel mixes, and the processor handled them all with ease. The bass driven soundtrack to Danny Boyle's Trance was beautifully recreated thanks to the tight and wonderfully integrated low end. The recurring motive of one of the characters tapping on a pane of glass was effectively rendered, it's impact gradually increasing as the film progressed. However it wasn't all bombast and the Datasat could be subtle as well, as we found with Nick and Nora's Infinite Playlist. Here the RS20i delivered this dialogue heavy comedy with skill, capturing the atmospheric sound effects of New York at night, whilst also superbly reproducing the film's extensive use of music superbly. The simple fact is that whatever your taste in films, the RS20i will deliver the soundtrack exactly as the creators intended, and make it hugely enjoyable at the same time. Home cinema indeed.
- Reference audio performance
- State-of-the-art room correction
- Superb bass management
- Staggering level of flexibility
- Professional build quality
- Superior connections
- Fan noise
- It ain't cheap
Datasat RS20i Surround Sound Processor Review
At the sides of the RS20i there are grilles for the cooling fans and it's here that we should point out the processor's only real weakness - it's noisy. Of course the chances are that the RS20i will be part of a professional installation and, as such, will be in a separate equipment room but if you're thinking of using it near your seating position, you need to be aware of the fan noise. Moving to the rear of the RS20i we find a set of connections that reflect Datasat's audiophile ambitions and their professional pedigree, with inputs for no less than 8 analogue and 16 digital channels and outputs for up to 16 channels of digital and analogue audio. To save space, the RS20i uses balanced DB25 connectors but there are also optical and coaxial digital inputs and analogue stereo inputs with RCA connectors. There are four HDMI inputs and one HDMI output - all version 1.4a - which allows the RS20i to pass video, including 3D, completely untouched. The RS20i is clearly aimed at the professional installer and as such it includes RS232 connectors for serial control and servicing, 12v triggers, an Ethernet port and a bi-directional GPIO (general purpose input/output) connection. There is also an XLR connector for a calibrated microphone when performing the Dirac Live room optimisation and three expansion slots for future developments.
Despite its complexity and versatility, the RS20i is surprisingly intuitive to use and once you've spent some time familairising yourself with the various menus, it all starts to make perfect sense. Obviously the majority of people buying the RS20i will leave the setup to a custom installer but if you're a tweaker then you'll be in heaven. The RS20i comes with 31 bands of third octave and three user-adjustable bands of parametric equalisation on every channel. In addition, each channel includes low, high and band pass filters, as well as advanced bass management features including full and user-adjustable bass control on each individual front and surround speaker. The RS20i supports up to four subwoofers, enabling enhanced surround settings such as 11.1, 12.2 or 12.4 and it's the only consumer product to feature Dirac Live room optimization technology. This delivers the most advanced impulse and response correction available to deliver a natural and immersive listening experience. The essential elements of your setup can be quickly and easily saved with up to 20 user-defined set-up and operational profiles and these memory presets can be easily transferred to a USB stick for safe storage and retrieval.
We reviewed the RS20i with Datasat's own RA7300 7-channel power amplifier, along with B&W speakers and SVS subwoofers, and the results were nothing short of spectacular. Thanks to the flexible setup and Dirac Live software, the entire system performed optimally and the presence of the room itself simply disappeared. The impulse and response characteristics of the speakers were perfectly equalised and the bass was seamlessly integrated, delivering the most visceral and enjoyable surround sound experience we have ever had at home. The audio was totally engrossing, with the RS20i perfectly positioning sound effects and utilising the power of the RA7300 to its full extent. The result was a truly remarkable combination of detail, control and dynamic range, from the flicker of a candle to the blast of a nuclear explosion, which made the sound totally immersive. Musical scores had a wonderfully expansive front soundstage, whilst sounds still remained precisely localised and panned seamlessly around the soundfield. The bass management was exceptional and when the low frequency effects kicked in, the impact was almost overwhelming. Ultimately we had no doubt that our audio experience at home was equal to, if not better, than anything we were likely to have at the typical cinema and you can't ask for more than that.
The Datasat RS20i audio processor certainly isn't cheap but then the best rarely is and, for once, a product actually achieves what it set out to do - deliver uncompromised cinema sound in the home. The RS20i sets the benchmark by which all other domestic audio processors will be judged and as such there can be only one conclusion - Reference Status!
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