So what is the titled Darbee Visual Presence all about and why should - or shouldn’t - you want one? The manufacturers, DarbeeVision, claim the DVP 5000 enhances images by embedding ‘depth information’ into the signal before relaying it to your TVs HDMI input. Using patented technology, the Darblet (as it’s more comically known) analyses a frame and then makes adjustments to local pixel luminance in order to accentuate details. In other words, it makes some elements of the picture brighter, some dimmer and some remain the same but, so DarbeeVision says, this is all achieved without shifting colour or creating the ringing artefacts associated with more traditional Sharpness or Edge Enhancement controls. It’s not really a Sharpness control, per se, more of a trick of the light but with many enthusiastic new owners swearing by ‘The Darb’ as a tool that genuinely reveals extra detail, it's worth a look.
We’re obviously enormously keen on maintaining the industry standards present in film and TV production, here at AVForums; we calibrate for a reason and that is to ensure we see material presented in the form the director and content producers envisaged and the Darbee Visual Presence will clearly go against those ideals, to some degree, but we will always approach a product or idea with an open, yet objective, mind-set. With that established, it’s time to unleash the Darbee for a dabble.
Note: You will need to click on images to avoid seeing scaling artefacts
One pattern that did show up anomalies was the Luma Zone Plate, which basically turns the screen into a check on multiple frequencies of the signal and will highlight any issues in the luminance (black and white) element of the picture. As we can see from the comparison shots above, the Darbee is clearly making large alterations to the presentation of the luma zone plate and it did the same to the Chroma Zone Plate on the Spears and Munsil disc. Also, using the same disc we detected the Darbee was introducing slight chroma upsampling issues with our player meaning, at least on paper and very ironically, all the colour details from Blu-ray disc aren’t necessarily being preserved. We do have to point out that using a different player on the same display didn't exhibit the same problem so it seems there there are some incompatibility problems in this area as well.
Try as we might – and believe us, we tried very hard - we couldn’t get meaningful measurements from our Klein K-10 to demonstrate the luminance changes with real-world material as the alterations are occurring at such a micro level; so our plans to give you more graphs and data to back up what our eyes could so clearly see were scotched.
Given the relative paucity of evidence the test patterns were providing we decided our best course of action would be to attempt to capture the effect by camera. Not as scientific an approach as we were hoping to take but using our eyes as a control we are able to see the luminance shifts match up very well when comparing the captures to actual on-screen results. You should be able to get a good idea of the effect from what follows below and especially if you're viewing from a calibrated display – or at least one not too far off the standards.
Please note: the displays we tested on where calibrated to industry standards before the unit was added to the video chain and the photos show the Darblet set to 70%, which clearly highlights the effects the unit makes. This level was chosen so that readers can easily follow what is being described and shown in the photos. At more moderate levels, around the 30-60% mark, there is still a perceivable effect but it's just not as easy to highlight in photos. The photos shown below are for illustration purposes only and not for evaluation of the unit, as always we recommend readers demo any product for themselves.
The easiest way for the reader to compare what follows is to click on the photo, save to a location on your computer and then flick between the two using your preferred photo browsing software. Since we love the Olympics and it’s topical, let’s start there:
Note: You can click on all the Photo's to enlarge and download
Moving on to some night time coverage featuring the ever industrious Gabby Logan and we captured these shots:
Flicking quickly between the two photos, it’s easy to see the shiny-factor of the presenter's top sees a noticeable boost with the Darbee engaged but, more worryingly, Ms Logan’s facial skin tones display a tangible increase in luminance and become rather waxy as a result. Darblet advocates may point to a perceived increase in definition with the hair strands but, to us, it looks like a ‘photoshopped’ effect and we prefer the unaltered image.
Broadcast HD is not necessarily the best medium to judge the DVP 5000 by, however, so we put in some 1080p24 Blu-ray test images to our player to see what’s happening there. Having spent some time already with the Darblet, we’d already concluded we didn’t really like its influence on foliage and vegetation and the next two comparisons will hopefully illustrate why.
Note: You can click on all the photo's to enlarge and download
The captures of the Kiwi fruit, in particular, highlight the over-processed, hyper-reality look the DVP 5000 gives material. Again, there’s very little question the Darbee gives the sense of increased resolution but it’s at the expense of robbing the footage of its inherent naturalness. We could say the same of the foliage in the second comparison but the increased luminance of the sky is more concerning. A camera is set up in a certain way and then the footage put through production stages to maintain that look but the Darbee is clearly playing around with it. Again, we prefer the unadulterated picture.
To redress the balance somewhat, there was one test image we liked better with a touch of the darb effect and only the coldest of hearts could fail to be beguiled by the cuteness of its subject.
We do think that, as a still, the processed image looks a little more convincing but therein lies the problem with assessing the Darbee Visual Presence. There’s absolutely no doubt that the processing and computations going on inside the box are highly impressive, the fine level at which the manipulations are taking place definitely accentuate the depth cues present in images and it can look very good, some of the time. At other times, scenes can take on that over-processed look we’re not fond of but unless you’re prepared to be constantly switching the unit on and off there will be an unavoidable mixture of the two.
As the photographs show, we were using a 70% setting and by reducing the amount of the effect, the luminance differences between portions of the picture were lessened but never really lost the sense that something wasn’t quite right with our calibrated pictures. One medium it did impress with was video gaming and the ability to make enemies stand-out more will appeal to some and we can confirm the DVP 5000 adds nothing tangible in the way of lag. Our measuring instrument is accurate to 0.1 milliseconds and detected no difference with the Darblet in or out of the chain.
Two areas where we weren't keen at all were with lower resolution sources and 3D material. The former, unless it was a good DVD, merely had its deficiencies further highlighted by the DVP and the latter has plenty of depth cues of its own and applying the Darbee processing, to any degree, just added further to any crosstalk problems present in display or source. Again, some will like it, but it's not for us.
- Genuinely adds a perception of depth and clarity
- Very easy to set up and use
- Introduces no lag
- Fun for gaming and animation
- Makes Images deviate from accepted Industry Standards
- Can make pictures look over-processed and unnatural
- Expensive for a one trick pony
- Colour space issues with some kit
- It can introduce chroma upsampling errors
DarbeeVision Visual Presence (DVP 5000) Video Enhancement Device Review
We noted problems in the processing of both the luminance and chromatic signals, and certain on-screen objects appeared very over-processed; particularly foliage, vegetation (on a regular basis), skin-tones and, on occasion, human hair, especially with grey tones. The effects on a 3D signal were really not for us either, there's plenty enough depth cues inherent to the source content, thank you.
All of the above said, we weren’t completely impervious to the DVP 5000’s charms; at times the sense of depth and clarity it delivered were truly impressive, without it looking unnatural. Video games where, arguably, a natural looking picture isn’t necessarily top of the agenda, could definitely benefit from the pixel manipulations and some animated content too, for that matter.
Had this been a processing control present in a TV or Projector would have almost certainly recommended it disabled. However, we also understand that not everyone cares about ultimate image fidelity and accuracy and, for those users, the Darblet might well appeal. While we would always advocate the 'correct to the standards' approach with every display device (as we do with every display review), we do understand that some will gain a lot of enjoyment from such devices in their system and we have absolutely no problem with that. Not everything in life is black and white and the DVP 5000 is certainly the most sophisticated control of its type available. It does what it does extremely well.
It’s a devilishly clever little box but ultimately not one for us and something we’d only recommend investigating after getting the rest of your video chain in order. For around the same price of the Visual Preference, one could invest in a professional calibration or even buy the tools and software to attempt your own and gain far more. Ultimately the Darbee Visual Presence is a bit of a toy. Toys can be fun but we’d definitely recommend a very extended demo before committing to purchase as you may find – as with so many playthings – the novelty soon wears off.
Dynamic Tone Mapping
Processed Picture Quality
Value for Money
Our Review Ethos
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