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Transformers: Dark of the Moon 3D Blu-ray Review

by Simon Crust Feb 22, 2012

Movies review


  • Movie
  • Blu-ray
Movie: Transformers: Dark of the Moon

Title: Transformers: Dark of the Moon
Media: Blu-ray
Running Time:154 minutes
Sound:English DTS-HD Master Audio 7.1
English Dolby Digital 5.1
English Dolby Digital 2.0
French Dolby Digital 5.1
Portuguese Dolby Digital 5.1
Spanish Dolby Digital 5.1
English SDH


The disc presents a theatrically correct widescreen 2.4:1 1080p 3D transfer and is Region Free.

A curious anomaly is this Transformers picture, as it should technically be termed a ‘hybrid’ picture since while the majority was filmed natively in 3D, a not insignificant portion, some one third to a half of it (i.e. all, but not limited to, the CGI), is converted using post production methods. This means that while the film was initially conceived to be in 3D (at the behest of the studio, not the director who was less than impressed with the method and never thought it would work with his style of filming) and there has been some thought into the construction of how the frames should appear, there still remain instances of the conversation process and limitations on the 3D budget which have a somewhat negative impact on the film. However, first the good, for when the picture is at its best, it is very, very good. Scenes such as the Ark’s escape from Cybertron, the astronauts searching through the wreckage of the same on the Moon, sweeping shots of helicopters, or the Autobots in their car form driving on the highways, all contain significant and tangible volume to the objects sitting well within their defined space. The majority of the (human) characters are ‘round’ and show decent distance between characters in two shots which gives a very natural feel to the image. Establishing landscape shots can look exceptional as there is plenty of distance into the frame. There is good use of the 3D to really show off how big the transformers are in relation to their human counterparts, this is an effect that simply cannot be replicated in the 2D version and is perhaps, where the illusion is at its best. But, things are not perfect, converted scenes still have the associated problems that plague all post processing, they simply don’t look as good – this is helped by the fact that the robots, not being human, fool the eye/brain better and, indeed, it is only when there are humans in the frame that the effect is exaggerated to the degree when it becomes visible, but visible it is. Then, and this is perhaps the biggest problem with the 3D, we come to the action sequences which, quite frankly, are too frenetic for the brain to process, so any 3D illusion is completely lost and the frame instantly flattens – and this is true for any of the close up sequences – when the camera pulls back and looks at things in the distance (such as the army skydive, the pulverizing of the building or any of the overhead city shots) the effect is immediately brought back to something that is stunning to behold; thus there is an inconsistency to the imagery which pulls you into but unfortunately out of the picture which is too much for the brain to handle and consequently the image itself flattens. At the end of the film I was left distinctly underwhelmed by the 3D.

Not so the rest of the picture, however, which is absolutely reference in every other regard. Detail is quite phenomenal being pin sharp from the closest face to the furthest star and everything in-between. Skin texture is incredibly sharp, as are clothing weaves, brickwork or glass; take a look at the robots whose every scratch and blemish is disclosed with the utmost clarity, right into their eyes.

Colours are rich, bold and vibrant; typically ‘Bay’ in their representation. Blues are deep, reds are strong and greens are lush. Skin tones are way too orange, but that again is how they look in a Bay film and so are ‘natural’.

Contrast and brightness are set to give some incredibly deep blacks (with the usual 3D caveat) that really draws your eye into the picture, with plenty of shadow detail going on. Knowing the limitations of 3D Bay purposely kept the film bright and this pays dividends by keeping the contrast at a level that does not impact on the glasses at all.

Digitally there are no compression problems, there is no edge enhancement, there are no banding or posterization issues and using passive technology I encountered no crosstalk and only the barest minimum of aliasing. In almost every regard this is a stunning picture and had this been a 2D disc would have gotten a reference score, however, we are looking at the 3D picture and as such, even though it has touches of brilliance, it is not consistent thus it scores a high 7 from me.


I concentrate on the English Dolby TrueHD 7.1 track which is quite honestly incredible. Not only is it totally immersive, but it is precise, clear and has enough controlled bass to split your house in two. Right from the off you know this is going to be something special, the Paramount logo (as in the previous films) is accompanied by metallic whirrs and chimes that reverberate around the room, then Optimus’ voice fills the room as he tells the back-story of the Ark, to the sound of flybys, explosions and plasma shots; all precisely matching the on screen action. Things don’t let up when we get to Earth, the soundscape is lively and vivid with plenty going on to keep the surround speakers alive; be it wind, rains, clicks and whirrs from the Autobots, street or traffic ambiance or any other amount of effects to place you centrally within the room. The score goes further still to enhance this feeling.

Dialogue is kept very natural sounding, clear and precise despite the mayhem that can be erupting on screen and is given directionality when needed. But perhaps the star of the show must be the controlled bass that grabs your attention and refuses to let go throughout the run time; filling in the score, and effects, the sub, once the action really kicks off, has plenty to sing about, be it gun shots, explosions, buildings collapsing or plasma shots; and crucially it’s not just underlying rumble, there is presence and feeling – there are several outstanding low passes (the downing of the Decepticon aircraft, or Optimus’ final swipe at Sentinel) which go as low as a sub should ever go; top class stuff. Carnage is one thing, but when it sounds as controlled as this, it's seriously a joy to behold. Top demo material.


  • Above and Beyond: Exploring Dark of the Moon (1.50.46, HD) – A five part documentary that charts the making of the film with plenty of behind the scenes filming and interviews with just about everyone who made a significant contribution to the production. At times candid, at other times fawning, this extensive look leaves no stone unturned with regard the pre, production and post elements that went into making the film – as a one stop making of, this is the place to get your fix. Making a film of this scale is a huge commitment of everyone involved and each department gets to show off how they contributed to the final product, it is quite gratifying to hear from those behind the scenes explain fully how such a mammoth endeavour can be achieved; though assertions that Bay is some kind of maverick director making up scenes during principle photography like he is some kind of Peckinpah just made me laugh – such a studio based production would have been streamlined extensively to get it in the can with the minimum amount of film. The five parts are titled: - Rising from the Fallen: Development and Design, - Ready for Prime Time: Filming Across America, - Battle in the Heartland: Shooting in Chicago, - Attack of the Birdmen: Aerial Stunts, - Shadow of the Sentinel: Post-Production and Release, each detailing with its specific topic while branching seamlessly into other production issues that it is associated with.
  • Uncharted Territory: NASA’s Future Then and Now (23.15, HD) – A brief look at NASA, its history, what it has achieved, the International Space Station and where the program is heading.
  • Deconstructing Chicago: Multi-Angle Sequences – A closer examination of two methods used extensively in modern film making. The first is Previsualizations (17.05, HD) and is used to visualise the film before principle photography, which here has twelve segments that can be watched either all together, individually or together with the Final Shot Comparison in a split screen and both can be played with or without an audio commentary from director Michael Bay and previsualization supervisor Steve Yamamoto. Basically its animatics used to plan out how the film will look, interesting to see how close they are to the final film (but they would be wouldn’t they?) and to hear the comments on how they were developed and filmed. The second method is Visual Effects (18.36, HD) which, as above, is twelve segments that can be watched either all together, individually or together with the Final Shot Comparison in a split screen and both can be played with or without an optional commentary by visual effects supervisors Scott Farrar and Matthew Butler. Basically this is the many ‘passes’ needed to bring the effects work alive on the final film, the commentary highlights the amount of work and computing power needed to fully realise the final product.
  • The Art of CYBERTRON – A huge mass of production pictures/sketches split into five segments that you navigate with the forward and backwards buttons on the remote; Autobots, Decepticons, Environments, Weapons and Gear and Ships.
  • The Dark of the Moon Archive – Another title that hides five separate features watched individually:
  • - 3D: A Transforming Visual Art (03.06, HD) – Brief convention interview with Bay and James Cameron on the uses of filming in 3D.
  • - Moscow World Premiere (02.29, HD) – Brief look at the enormous star studded premier at Moscow.
  • - Birdmen Featurette (02.28, HD) – Curious short feature that has already been covered far more extensively in Attack of the Birdmen above.
  • - Cody’s iPad (02.07, HD) – Somewhat touching feature about Bay providing an ipad for a disabled fan to enable him to communicate more efficiently.
  • - The Sound of Transformers: Dark of the Moon (09.17, HD) – An all too brief look at the incredible work the sound designers achieved for the film. Very interesting feature that seems hidden away and should really have been part of the main making of documentary above.
  • The Matrix of Marketing – A look at the trailers and poster art for the film.
  • 2D Blu-ray – 2D version of the film.
  • Digital Copy


Transformers: Dark of the Moon is Michael Bay’s third entry in Paramount’s (current) biggest franchise. After the hugely negative comments regarding the second film, Revenge of the Fallen, the studio were keen to get production back on track and Bay, himself, is on record as saying it was going to be bigger, better and have no “goofy humour”. Whilst that is largely true, what the film does suffer from is being a typical Michael Bay film, in that it is a bold, brash, uncouth, over-long action orientated film with no characterisation. To make matters worse the darker plot is actually quite neat, but it is hidden within the bloated production values and unnecessary story telling devices to extend a film well beyond its natural runtime. The acting, with the exception of John Turturro, is uniformly bad, especially from the star LaBeouf and the new leading lady, Rosie Huntington-Whiteley, hastily brought in to cover the lack of Megan Fox, making it, at times, cringe worthy to watch. And whilst the action set pieces are undeniably spectacular they continue on so long as to go over the top; honestly the relatively slow pace of the first half so is shattered by the seizure inducing second half that it effectively splits the film in two. And to cap it off, after everything that occurs, the film ends so abruptly that it is actually jarring. No, Dark of the Moon, is not a good film, nor is it a particularly good Transformers film, and no amount of style will convince me otherwise. Astonishing, then, that is has made so much money and, if the whispers are to be believed, has led to a forth, re-boot, of sorts, helmed once again my Michael Bay. If there is going to be a reboot, please take it in a different direction and give us all a rest from Bay.

As a 3D Blu-ray Paramount have put together a terrific package that covers all the bases. The 3D disc itself is Region free and has a clear reference sound track, but the picture, whilst being reference in terms of its detail, colour and contrast, suffers in the 3D department – this is simply because it is only half native 3D, and those bit that are native are composed and edited in such a way as to make it difficult for the brain to compose the 3D illusion – Bay’s frenetic camera movements don’t lend themselves to the effect. When he pulls back and slows down the effect is exceptionally good, but it’s the inconsistency, coupled with the converted scenes, that bring the picture down making it rather mediocre. However, the rest of the set is very good, including as it does a reference 2D disc (both picture and sound) and a whole host of extra features on a separate Blu-ray, that delve deep into the making of the film, leaving no stone unturned in a sometimes candid approach to narration.

The Rundown



Picture Quality


Sound Quality






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    1. The News Bot

      The News Bot News Supplying Robot Staff Member

      Sep 15, 2004
      Trophy Points:
      “How can anyone make a bad film about giant robots fighting each other?”

      That was the question that was on everyone’s lips after 2009’s terrible follow up to 2007’s smash hit Transformers. Blamed on the writer’s strike Revenge of the Fallen was in many ways a typically Michael Bay film; bloated production, stylised and action driven, but it failed to deliver on any character front and was quite simply a bad film. However, not one to let a monster franchise slumber, Paramount were eager to bring the Transformers back on line, so much so they brought this sequel’s release date forward by twelve months, capitalised on 3D technology and brought back many members of the original cast and crew to try and sweep away the bad taste of ‘Fallen’ by delving into a darker story line, bring forward the characters and upping the action stakes into what many believed, at the time, was going to be the biggest and best...

      Read the full review...
    2. Nobbler

      Nobbler Member

      Jan 23, 2012
      Trophy Points:
      Hi Simon - good to see you the other day mate! Great review as usual but I'm a little miffed as to why the 3D on this isn't that great as when I saw it at the cinema, it was hands down the best use of 3D I had (and it still hasn't been beaten) seen. The best bits were when the 'bots actually weren't onscreen to be honest and the glider suit sequence seems to stick in my memory more than most. Still, might be worth getting just for the extras as I got the bare bones disc for Crimbo.

      Take care

    3. Simon Crust

      Simon Crust Movies Review Co-ordinator

      Feb 22, 2005
      Trophy Points:
      Hey Bri, yeah was great, and a surprise, to see you to :thumbsup:

      The 3D is at its best when the robots arent on screen, all their scenes are post converted anyway, and there are, like I say, instances of brilliance. But the trouble it its so inconsistant - the last half with all the action is so frantic that your brain simply can't cope (well mine couldnt) and by the time the credits roll all the good will that you'd seen in the first half has been wiped. The scenes you mention are great, there are others (I mention similar in the review) but they are too few and inbetween. Thing is, even if the 3D had been as good as that shown in Cars 2, the film is still tripe ....

      Ah well

      I'm looking at something far, far worse at the moment, which makes this look like a clear masterpiece!
    4. True Romance

      True Romance Active Member

      Feb 7, 2005
      Trophy Points:
      Yes the Dolby TrueHD track rocks big time :thumbsup: Always been a Dolby fan but most blu-rays now only come in DTS flavor so its nice to see (hear) that TrueHD can be a match (or even better) for DTS HD.
    5. golden phoenix

      golden phoenix Active Member

      Aug 29, 2005
      Trophy Points:
      i watched this at the weekend (in 2D) it is strange that part of the human story i found always came from a kooky angle throughout the series..i also felt that the so called love interest in T3 was a poor actress, totally miscast and made some of the scenes a bit dodgy. physically i found her face quite strange, (although her bod was good).

      it did take a while to get going but the set pieces were great for the last hour.

      I have been purchasing 3d editions of blu's now(including this one) just incase i upgrade were there is not much difference in price from the 2D versions. im hoping to get (possibly) a VT50 dependant on performance/price. so i have built up at least 10 - 3D films now
      Last edited: Feb 22, 2012
    6. LicensedTaximan

      LicensedTaximan Active Member

      Jul 6, 2004
      Trophy Points:
      I bought the UK version (2D BD, DVD & digital copy) because Asda were selling it for a tenner. I was really hoping for something resembling the first one and whilst it was better than the second one it was only by nths of degrees. There is no question about the production values it's all up there to see, and like "True Romance" said it was nice to have a DD trueHD (7.1) soundtrack as opposed to the almost derigour DTS one, but after the film had finished I ended up with brain overload and needed a glass of diet coke. :rolleyes:

      Everything you said in your review Simon was correct. One can have the best CGI and the most superb soundtrack but if the story line isn't strong enough, which is the backbone of any film, then it will just flop around and eventually fall into a gelatinus mess. Why the hell Mr Bay was unable to build up a decent narrative before most of the metal mash up is beyond me, the original was indeed of its type a good film....In the mean time, like many others, I bought it so i'm sure Mr Bay, Mr Paramount and others will be raking in the $ /£'s. One thing is for sure I will not be buying the UK version that has the extras on it like the American version when it eventually arrives on these shores, ahem unless it's going for a fiver or less. Great demo disc though. :rolleyes: :devil:
      • Thanks Thanks x 1
      Last edited: Feb 22, 2012
    7. BlueWizard

      BlueWizard Well-Known Member

      Jun 19, 2007
      Trophy Points:
      All of the Transformer movies have been soundly criticized. But I have to say I enjoyed them all. Would I say they are great films? No. They are merely enjoyable popular films, an entertaining diversion.

      As with so many films you have to go in expecting to get what you do get. I did not expect Shakespeare, I did not expect Citizen Cane. I expect Transformers and got Transformers, and what more could I want?

      The only criticism of this last film was the girl friend. She seemed completely out of place in this movie. Not to criticize her acting. The problem was casting. Again, she seem totally out of place and I did not buy her in the girl friend role. How did some out of work kid from the suburbs manage to connect with what appears to be a supermodel. Just not believable.

      But beyond that one point, I got the movie I expect and had a thoroughly enjoyable Saturday afternoon.

    8. CAS FAN

      CAS FAN Well-Known Member

      Nov 24, 2003
      Trophy Points:
      Just watched this this afternoon as I'd been in no rush to watch it due to fairly average reviews.

      It does start slowly and it is a long film but I really enjoyed it and can't say that I really agree with this review for the most part. I thought that it was visually fantastic and the attention to detail that has gone into every effect and 3d model is just amazing. The audio was also superb and whilst these (especially the audio) have been well rated, they really do add to the movie itself in this type of film.

      The film is no classic piece of work, but then it never sets out to be and I think that films should be reviewed based on what they set out to do. The plot serves as really just a vehicle for the action in this sort of film and I think as such it does a good enough job of holding together all the action. With regard to the characters in the film, I guess the robots are the key ones, along with Sam, his girlfriend, the armed forces guy and the S7 bloke and again I just don't see a huge need for any complex and involving characters as again they are just there to serve the plot and therefore the action.

      All in all I really enjoyed this film (as I did the previous films) and would give the movie itself a good strong 7/10 (almost an 8/10 ) and the visuals and audio a 10/10 without hesitation. I did just watch the 2d version however so have no reason to discount the fact that 3d is not upto scratch and I guess that this is the reason why the visuals are only 7/10 on this version. A great watch all in all and I'd recommend it to anyone who fancies some great, mindless entertainment!
      Last edited: Apr 29, 2012
  • Production

    Type Blu-ray
    Studio Paramount Home Entertainment
    Country UK
    Certificate 12
    Number of Discs 3
    Retail Price £29.99
    Running Time 154 Minutes
    Release Date 20120213
    SKU bsp2270


    Aspect Ratio 2.40:1


    Sound Options English Dolby TrueHD 7.1
    German Dolby Digital 5.1
    Swedish Dolby Digital 5.1
    English Audio Description
    Subtitles English, English SDH, German, Swedish, Danish, Finnish, Norwegian and Castilian Spanish
    Extras Above and Beyond: Exploring Dark of the Moon
    - Rising from the Fallen: Development and Design
    - Ready for Prime Time: Filming Across America
    - Battle in the Heartland: Shooting in Chicago
    - Attack of the Birdmen: Aerial Stunts
    - Shadow of the Sentinel: Post-Production and Release
    Uncharted Territory: NASA’s Future Then and Now
    Deconstructing Chicago: Multi-Angle Sequences
    - Previsualizations with optional commentary by director Michael Bay and previsualization supervisor Steve Yamamoto
    - Previsualizations/Final Shot Comparison with optional commentary by director Michael Bay and previsualization supervisor Steve Yamamoto
    - Visual Effects with optional commentary by visual effects supervisors Scott Farrar and Matthew Butler
    - Visual Effects/Final Shot Comparison with optional commentary by visual effects supervisors Scott Farrar and Matthew Butler
    The Art of CYBERTRON
    - Environments
    - Weapons and Gear
    - Ships
    The Dark of the Moon Archive
    - 3D: A Transforming Visual Art
    - Moscow World Premiere
    - Birdmen Featurette
    - Cody’s iPad
    - The Sound of Transformers: Dark of the Moon
    The Matrix of Marketing
    - Trailers
    - Marketing Gallery
    2D Blu-ray
    Digital Copy
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