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Originally Posted by Quickbeam If you do an A-B comparison then compressed video will always look noticeably worse than uncompressed, but the best HD demos do look pin sharp to my eyes. Unfortunately the worst ones look like overcompressed SD! I'm not sure whether the source material or the screen is to blame in these cases. |
I think it is difficult to say - as the two interact. Poor display processing may unduly emphasise compression artefacts for example.
Many of the store HD demos I've seen have :
Very optimised source material - lots of saturated video, shot in bright sunlight. Bright sunlight means that the camera can run with a very narrow aperture, so has a huge depth of field - meaning almost everything is in focus, whether it is close to the camera or far away. This means the whole image should be pin-focus sharp. Similarly, high levels of light mean that the camera CCD is running with no gain - or even negative gain - so there is little video noise to worry about.
The actual picture content is all bright colours - red flowers, colourful dresses, green grass etc. - and this emphasises the component (and constant luminance) of HD.
Most of the stuff I've seen is 50/60 interlaced, or 50/60 progressive, so has the fluid motion that adds to the realism. (i.e. it doesn't have the jerky motion of film or 24/25p video - that drama producers love)
Much of the HD I've seen (apart from the Sagem WMV stuff) has also been very well MPEG2 encoded at what seems to be a very high data rate, well in excess of anything being broadcast in the US. (Only D-VHS approaches it)
This is great for creating the "Wow" factor in shops - but not typical of the HD live TV we may end up with. HD1 off-air in some locations has been far more realistic - though even then a lot of this is opera and ballet - which is often very highly lit, and thus cleaner than a lot of real-world video.