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Originally posted by Len After all the writer is where the concept starts... So why all this flattery for directors? Film is a collaborative medium after all. |
You can take a great script and give it to a useless director and end up with a big pile of unwatchable poo.
You can take a terrible script, give it to a great director, and end up with a good movie.
The director is key, and director's cuts are important because ironically they don't bow to commercialism. As Juboy says, movies are often cut for marketing/commercial reasons, not for reasons of pacing or story development or to get rid of irrelevant material (edits for these reasons would have been made by the director/editor anyway).
Personally, I find anything other than a director's cut a form of censorship. When I know a director's cut is available of a movie, I have to have that version, not a 'doctored' theatrical release. The director's vision is ultimately only preserved when the director is not pressured to make cuts by the film studios - and that's what's important. Would you want to read a book where 4 chapters had been thrown out by the publisher because they couldn't face launching a book that was more than 300 pages?
(Interestingly, note that the FOTR was released as an Extended Edition and NOT a Director's Cut. I believe this was because the director's cut for FOTR was actually the theatrical release.)