It's still a mystery to me why AV fans don't quote peak dBs on film sound rather than talking about reference level. Which is virtually meaningless IMHO as regards maximum sound pressure level reached in the room during a particular scene.
So much depends on the equipment settings. Then there is the level of accuracy achieved during calibration. The test tones are capable of some innaccuracy I believe.
Give or take the odd dB (or more) of peak or trough in the room's response.
Then some like it 'hot' as well. The SPL meters are often wary of low frequncies. It's all beginning to look a bit iffy.
One model of subwoofer (even from the same maker) is quite unlike another in the product range. Subwoofer frequency response is very room dependant. One wonders what it all means in real dBs of 'grunt' at the listening position.
Not that I'm trying to pick an argument of course.
I do agree about the headaches though. Is this really a sensible basis for a hobby?
Nimby
__________________