Quote:
|
Originally Posted by foghorn Read your post again i don't think you need to answer my Question.
Foghorn |
Seems I've provoked some LCD fanboys. You must understand that these are my opinions and I'm not pushing these as fact.
Its not a personal attack on your machines just merely an observation that I was pointing out that may tell another side of the story. Nothing is all things to all men(except Kelly Brook).
FWIW: I've seen the TX100 and HS20 last year at a place called Show and Shoot. I was looking around then but for the money I wanted to spend I couldn't live with the quality on offer. The TX100 has aweful
VB on uniform grey pattern, blacks were grey even when we turned the iris down to 0 (too dim then as well!) The HS20 was better but still had virtually zero shadow detail and grey fogging in dark scenes. I decided to wait a few months for all the new machine to arrive expecting the iris technology to come to the rescue. I was wrong. LCD's are fine for bright stuff like CG films, gaming and windows but for movies... depends how picky you are I guess.
Conclusion: I've either owned or demoed 3 different LCD's and all highly regarded models. So LCD is infact dissappointing for me. Maybe the next generation like the HS60, AE900, TX200 and Z4 will make big improvements, doesn't look that way from ROne's move from Z3 to Z4.