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Originally Posted by Quickbeam
ALiS panels certainly have more than 512 lines of resolution.
When the rules of interlacing are applied, a 1080i broadcast when cropped to 1024i will have close to 1024 lines of resolution on a still image, and between 512 and 1024 lines of resolution on a moving image.
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That is not quite accurate.
Broadcast 1080i sources don't come close to the full 1080 line vertical resolution many assume to be possible on static images.
This is because 1080i sources are vertically pre-filtered to avoid interline interlace twitter.
In the case of video camera sources this is done "in camera" by the line offset + line averaging process that converts the progressively captured CCD image frame to the fields in an interlaced video signal. In telecine transfers of film and 24p/25p/30p sources this is done as part of the interlacing process by vertically filtering using other means.
A 1080i video source will have almost no vertical resolution above the 800-ish line level.
Sure - if you use a PC to generate a 1080i signal you could create a signal with close to 1080 lines of vertical detail, however if displayed on an interlaced display the level of interlace flicker on the >800 line vertical detail will be objectionable. This is because fine detail is only present in one of the two fields, so flickers at frame, not field rate. You see this effect on poor quality computer generated graphics on SD and HD broadcasts.
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720p is non-interlaced. The full frame resolution is 720 lines, and this has to be scaled to fit into a 1024 x 512 field. Surely this involves downscaling? Even if you scale up to 1024 lines, you would still have to drop every other line to fit the interlaced structure of the panel.
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No.
There are two ways of converting 720p to 1024i.
1. Convert the 720p to 512p by scaling down, and effectively ignoring interlace. This will deliver a picture with the same 512p resolution on both moving and static information, but will not fully exploit the resolution available in a 1024i display.
2. Scale the 720p to 1024p by scaling up, and then interlace this to 1024i. This will preserve as much of the sources 720p vertical resolution as possible on static and slow moving video information (and film sources which have no intraframe movement) and only drop to 512 line resolution on faster video source movement.
In any interlaced system - the worst case scenario is that it has the properties of a progressive system based on the field resolution.
Thus 576/50i SD behaves like 288/50p on fast motion, and 1080/50i behaves like 540/50p on similar sources. However on static and slow moving sequences (and film sources) 1080/50i behaves more like 800ish/25p.
This trade-off between motion capture and vertical resolution is the whole point of interlacing to reduce bandwith and increase refresh rates.
It is important to remember that scaling can use quite sophisticated re-sampling techniques, and doesn't require a simple 2:1, 3:2 etc. relationship - though it is easier to do cheaply if this is the case.