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Originally Posted by confused88 Probably this will sound very naive but then what's the point of spending on expensive CD players or dedicated DACs? |
Well, partly because the process is far more complicated that simple Digital-to-Analog conversion. There is the matter of Jitter and read inconsistencies in the transport mechanism, as well as read ahead buffers, error correction, etc.... On the analog side, beyond the DAC, is DSP (Digital Signal Processing) and the smoothing and filtering of the output of the DAC to make the analog signal listenable.
Plus, with better systems, they are going far beyond simply smoothing, they are doing their best to enhances the sound, perhaps in expanding the dynamic range, perhaps even filling in the blanks between samples to add to the digital information, which in turn can then be smoothed much easier into a pure analog signal.
So, while we tend to concentrate on Digital-to-Analog conversion spec, the process is much more complicated than that.
Personally, I think the digital sample rate needs to be 10 times the highest frequency required. That means, rather than the 2.2 samples per cycle at 20khz of a standard 44k DAC, we would need a 200k sample rate.
A more standard 192k sample rate would give us 9.6 voltage samples at 20khz. The frequency at which a 192k DAC would give us the 2.2 samples of a 44k DAC, would be 87.3khz. Now that would very closely approximate the near infinite resolution of analog recordings.
Recent studies have shown that, even though they can't hear the actual sound (tone or note), people with good ears are capable of perceiving differences as high as 100khz.
As to the sample resolution, 16 bit beaks a signal voltage down into 65,536 increments. That is, 1/65536th of the full signal is the smallest voltage that can be measured. However, 24 bit resolution takes that same range of voltage and breaks it down into 16,777,216 steps. That's 256 time more resolution than 16 bit. Again, 24 bit takes us very very close to the apparent infinite resolution of analog recordings.
Also, keep in mind that you might have a CD player, for example, with a 24 bit/ 96k DAC. However, it only has ONE of those DACs. The DAC is multiplexed to give half its time to one channel and the other half to the other channel, making the functional sample rate 96/2 = 48k. That leaves a slight margin for switching time delays and still allows the standard 44.1k sample rate of the Standard CD specification.
Really good CD players have DUAL DACs, far in excess of the standard CD spec. The Cambridge Audio 840C uses twin Wolfson 24bit/384k DACs. Though the 384k is for upsampling, the highest standard input resolution is 192k, which, as I have demonstrated, is very close to the infinite resolution of analog.
So, back to the original question, if studios are using multiple 24bit/192k DACs, they are as close to analog as it is possible to be. Keep in mind that while we say in theory, that analog has infinite resolution, and infinite sample rate, as well as, more or less, infinite frequency response, the realities of the physical world, make that true only in theory. In practicality, and in my not so humble opinion, if you are operating at 24bit/192k, you are operating virtually at analog or above.
As to the first question, whether it is worth while to add analog vinyl playback capability to your system, especially when you don't already have a record collection, that is a very personal matter. I've got a reasonably good collection of vinyl, so I absolute would not be without a turntable.
However, if you plan to start a vinyl collection, there is a reasonable good selection of audiophile re-mastered records in every genre, especially in the area of classics, whether it be classic rock, classic jazz, or classic classics. Plus many modern artists are insisting that there music also be release on vinyl. Just don't expect it to be cheap. I think the re-issue of Hendrix - Electric Lady Land is about £30. Vintage original first-run pressings of this album can sell for as much as £300.
Despite the cost, most vinyl, even the standard on the street commercial pressing from the old days, still have a warmth and clarity that you just don't find in CD's. Ticks, pops, and static...yes, but once the music starts, you completely forget about these distraction.
Personally, I would like to see a new medium replace the standard CD, something 24bit with a minimum of double (96k), though preferably 4x, the current standard sample rate. However, for most consumers, the standard CD is, at best, 'good enough'. And, with MP3 (
...spit...) and iTunes taking over, it is next to impossible to convince the average consumer that 'good enough' really just in NOT 'good enough'.
Back in the day, you know when I was young and dinosaurs roamed the earth, next to a car, every kids second top-on-the-list dream was a good stereo system. Today, I'm sorry to say, that few kids have even seen, much less heard, a moderately good stereo system. They just don't know what they are missing.
I can't help wondering how kids even manage to throw a party now days, do they all just stand around the room listening to their iPods? Music used to be a shared experience, now, today, it seem more like an isolating experience, but then, that just me ...what do I know?
Steve/bluewizard