This was the most challenging photographic experience I've had so far.
Firstly, it was freezing and raining. Add to that the fact that the light was really poor with side-lighting from floodlights. Then to make it worse the players refused to run towards me at full tilt with ball in-hand, and failed to perform gut-wrenching tackles head-on to the camera, and worse still failed to do all of the above with a nice clean background with no other players in front or behind them. Bloody poor form if you ask me. Lastly it was my first pressure shoot with my 300 2.8.
So, preparation is key. Following my last outing in the rain at Saracens, this time I had gore-tex ski salopettes on, with thermals underneath, and a thermal top, another sweatshirt layer and a ski jacket with hood. Plus gore-tex trainers, a wooly hat, neck-tube thing, and gloves. I was sweating a lot in the media room and had to remove several layers to get comfortable.
I also ensure I had my laptop sorted and latched onto the WiFi connection in the stadium, and my FTP software was sorted ready to upload the pics. Memory cards formatted & ready to go. Camera cleaned. All kit double-checked. Sorted. Face stuffed with massive bacon roll and diet coke from the excellent media catering facilities! Went to the loo beforehand just in case (Coke being a great diuretic).
Luckily the rain had relaxed to a more gentle drizzle for the start of the match before dying away completely. This meant I didn't need my advanced rain protection system composed of a plastic carrier bag and an elastic band (works like a dream though, and dead cheap!!). We had strict instructions to sit between the advertising hoardings and not block them, so the togs were spread out nice and evenly.
It was pretty dark when the match kicked off, so I was at ISO 2500 straight away shooting with my old/new 300 2.8 at 1/800th - 1/1000th to freeze the action. As it got darker I was up at ISO 3200 to keep at around 1/800th, but sometimes dropped down to 1/640th or 1/500th in order to drop the ISO. Talking to the Getty tog afterwards (very friendly and with some annoyingly superb shots) he was at ISO 1600 all night and dropped to 1/500th for most of his pics. Interesting. He was using a pair of 1Dmk3s as well. He was the guy who took that shot of Ricky Hatton smashing that American guy in the jaw last week - amazing shot. I'll try 1/500th next time as, though the ISO3200 pics look OK smallish, they are noisier than I'd like before any noise reduction is applied. This is the sort of time a D3 would come in handy!
I was shooting from a Bath point of view, so was at the end they were attacking to start with. Soon it became obvious that the light from the floodlights on either side of the pitch above the grandstands was really poor when shooting from the ends, as the players were poorly lit when running front on. I moved to the side and shot from the 22 line instead, my little stool gently sinking into the quagmire.
I also tried out manual mode for a while as well. This was really tricky as Bath were in white so were either blowing out or the Harlequins team were too dark. Darn - bloody tricky juggling exposure especially as the light strength varied across the length & width of the pitch. I think I'll revert to Av next time.
Anyway, enough blabbing - here's a few pics.
#1
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#2 Kinda sums up Bath's day - they lost 21-14 but should have won
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#3
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#4 Ha! Got the Bath try that the Getty guy didn't get.
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#5 Winner! Got to say Gomarsall was awesome, and set up the winning Harlequins try (annoyingly at the wrong end!) with a fantastic disguised reverse pass.
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#6 Loser! Stuart Hooper of Bath tries to figure out where it all went wrong
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#7 Silly shot of the night - Bath teammates console each other after the game

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Cheers!
Tobers