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Originally Posted by DavidPeat Can I ask a really daft question? How do you achieve that other-worldly effect? Am I right in thinking that you use an ND and long exposure? |
They're just long exposures. No ND filter used, I just go out at dusk when the light has almost completely faded. The longer exposures really seem to make the colours rich - they don't actually look like that when you're there.
For composition, I always try to have some foreground interest leading into the scene and some kind of horizon detail or feature. When you're shooting at 12mm this means you need to get low and close. These were about 60cm off the ground with the tripod well into the water. You need to be confident with your tripod set up - I'm happy watching water lapping a 3rd of the way up my tripod legs

I wouldn't fancy it with a cheap, light set of legs though.
I always wear a pair of waterproof boots and have a torch - i'll often illuminate my focus point to make it easier to focus.
For exposure, I use the histogram and place my exposure with the highlight detail nudging right up the the right hand side. This reduces noise in the image because the lighter the shadows, the less you have to drag out. It also gives you the longest possible exposure for silkier water, and preserves the highlight detail in the sky.
I always shoot RAW, as this obviously gives you the most exposure latitude - and i'll sometimes process the RAW file twice - once for shadows, once for highlights - combining them in photoshop.
They really were just grabbed, I left work at 4ish, was on the beach for about twenty past, and away just before 5. (just noticed that my cameras clock is an hour out

) at this time of year 4-5pm is about perfect for this kind of shot.
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Originally Posted by mwncidur We shall have to meet up again soon, I've found some nice gorge/waterfall scenery  |
Cool - i'll give you a call in the New Year