I thought that Mel nailed Porter in the DC. He's a mean, nasty piece of work and Mel delivered a suitably assholic performance. I think that some folk can't divorce him from his comedic persona that he's trotted out time after time, and so it's a shock when he delivers a character as menacing and coldy aloof as Porter. Is he Lee Marvin? No. But then no-one can be.
Basically, I loved this new (original!) version. I didn't miss the voice-over one little bit, liked the more natural colour balance and the goddamned dog
stays dead. I will concede that it's a shame that the swaggering music score was replaced with something more subdued, but it wouldn't have fitted stylistically with the more downbeat DC so I can understand the change.
Don't get me wrongo, I like the theatrical version, but it's too upbeat at times which really sets it at odds with all the toe-smashing and whatnot. The DC feels more like the brutal '70s films that it owes a debt to, and not the stylised '90s mishmash of ideas that the theatrical version represents. The ambiguous DC ending isn't neat, it isn't perfect, and it's not supposed to be.
Cracking stuff, and one of my HD-DVDs of the year so far.