Hello,
Quote:
Originally Posted by Tone-uk
Anyway, although not relevant to the OP, I was just wondering if you think the A500 is also the equal to budget/midrange power amplifiers (up to £1000) ? I'm of the opinion that it is but, seeing as you have a couple of Bryston's and the 3b is similar in spec to the A500, your feedback on the differences would be valuable.
Cheers Tone-uk |
I think it really depends on which midrange power amp you're looking at. The new Audiolab power amps are really excellent and to my ears are sonically superior to the A500, and if you shop around they are around 2X the price of the A500, but truly excellent power amps sub £1K are not exactly thick on the ground. I have heard great things about the new Roksan Kandy III series power amp, and based on it's predecessor I would think that would be a substantial improvement over the A500, but I have not yet heard it. This is the problem and why the Behringer is such a great product, and why it's a shame the magazines haven't taken it more seriously, as a means of upgrading a lower price (<£500) AV amp / receiver there really are very few options, and precious few which deliver the price/performance ratio of the A500.
Whilst the A500 is undeniably an awful lot of amp for the money, the Bryston 3B-SST is around 10X the price, and whilst even I would not claim it to be 10X as good, it really is a much better power amp (ironically it is derived from a pro amp, though not a PA amp, but a studio monitor amp).
It really is an all round improvement, the bass sound more extended, faster and more accurate, there is simply no bass overhang whatsoever regardless of depth or volume level, there is more texturing to the bass notes, the instrument beign used to play the notes is readily apparent. The midrange is more transparent, there is the sense that the amp is getting out of the way, imparting very little colour to the sound you hear whilst offering superb clarity and resolution, whilst the treble seems to keep going up into the ultrasonic area, it is so extended, yet it's not harsh or forward, whilst the whole presentation is very cohesive with no undue emphasis anywhere in the frequency range. It sounds more dynamic, with macro and micro dynamic shifts being tracked more accurately and precisely by the Bryston, and the Bryston's imaging is superior, with images offering a cohesive spread from wall to wall with my Vantage speakers, and offering the kind of depth which simply removes walls in your listening room. They really are superb amps, they will drive pretty much anything available in the speaker marketplace, have a 20 yr transferable warranty and my amps sound as good today as when I first installed them 5 years ago.
Make no mistake, I have great respect for the A500 and I don't want to sound like am suggesting the A500 is a por amplifier, but the Bryston is one of the finest solid state amps I've heard, bettered only by some very highly priced exotica from Mark Levinson, Cello and Jeff Rowland.
I hope this helps, if you have any questions then please don't hesitate to ask.
Best wishes,
Dave